I'm an artist and designer based in Berlin. My research focuses on emotions and how they are affected by emerging technologies. I'm most interested in constructing spaces of longing and questioning. In my audiovisual works I cross many platforms from 3D, animation, games to music and instruments.


E-mail mail@peterschwarz.org
Instagram @inn3rr

CV

↓ Works

Imprint

Nordin (2022) 3D landscape art.

Landscape-Art Matte-Painting
Soul Feeder Promo (2022) animated logo for music label Soul Feeder.

Logo-Animation
Portal (2022) asset creation for a sci-fi ritual.

3DAsset
AMNION (2021) pole dance film x installation premiered online at Curated by Girls.

AMNION is a utopian concept of society in which the individual can develop in the group.
As lone fighters, we are left to our own devices. With the potential of the group and their cohesion, a process of empowerment begins.

Art DirectionEditingMusic Production
AMNION (2021) pole dance film x installation premiered online at Curated by Girls.

The teaser of AMNION can be seen as a prequel. It tells the story of how technology has made us to lone fighters.

Art DirectionEditingMusic Production
Relational Landscapes Website (12/2021) published with FH Potsdam.

Relational Landscapes is the conceptual framework for a design course at FH Potsdam that traces interconnectedness between Berlin-Brandenburg and Amazon and the Andes.

On the website a landscape of Brandenburg and an area of the Andes are layered on top of each other. Users can move across the landscapes.

Art DirectionWeb DesignInteraction Design
2mm (2021) published with talktalktalk.

During the COVID-19 pandemic the increasing digitalization of our lives has taken on a new acceleration. Our human need for closeness remains.

Testimonies of contemporary longing can be perceived inside a Virtual Archive.

Creative Direction Game Development
C.A.R.E. (2020) artwork for the debut single from Aka Les.

A song about a tearing love. Two entities searching for each other. But they themselves are in constant transformation. In the moment of mutual understanding their form changes.

3D SculptingRenderingTypography
EAT-5 (2019) is a synesthetic instrument.

With your fingers drawn in the sand, you hear what you have just felt and seen.

EAT-5 was featured in Page Magazine 09/20 and Inspired by Method by Alexandra Martini.

Instrument DesignInterface Design Product Design
EAT-5 (2019) is a synesthetic instrument.

With your fingers drawn in the sand, you hear what you have just felt and seen. EAT-5 is an ambient work itself.

EAT-5 was featured in Page Magazine 09/20 and Inspired by Method by Alexandra Martini.

Instrument DesignInterface Design


Synae (2019) a synesthetic video work at FH Potsdam.

In the work Synae I recorded with four students a sonic texture on a modular synthesizer to a color of their choice. Later each student animated their color to the corresponding sonic texture.

The focus was on the emotional connection and perception of the color.

Later I designed a kinetic type poster for a projection mapping event where the video was planned to be premiered.

Synesthetic DesignKinetic Type

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